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sun-ah choi

Ph.D

Assistant Professor / Department of Art History

Myongji University

FELLOWSHIPS, GRANTS, PRIZES

◆2016-2018 성지(聖地)와 동아시아 불교미술, 한국연구재단 신진연구자 지원사업
“Sacred Places and Buddhist Art in East Asia,” National Research Foundation of Korea
◆2014-2016 한(韓)·중(中)·일(日) 불교미술 중 서상(瑞像) 연구, 한국연구재단 신진연구자 지원사업
“’Miraculous Images’ in East Asian Buddhist Visual Culture,” National Research Foundation of Korea
◆2013 Best Dissertation Prize, Department of Art History, University of Chicago (Dissertation Title: Quest for the True Visage: Sacred Images in Medieval Chinese Buddhist Art and the Concept of Zhen)
◆2012-2013 Mellon Postdoctoral Fellowship, Columbia University
◆2011-2012 Doctoral Fellowship, Franke Institute for the Humanities, University of Chicago
◆2009-2010 Doctoral Fellowship, Academia Sinica, Institute of History and Philology, Taipei, Taiwan (臺灣 中央硏究)
◆2009 Lecturer, University of Chicago, Department of Art History (Arts of Korea)

PROFILE

◆  B.A., Chinese Language and Literature,

      Korea University, 2000

      고려대학교 중어중문학과 학사, 2000

◆ M.A., Art History, Seoul National University, 2003

     서울대학교 대학원 미술사학과 석사, 2003

◆ Ph.D., Art History, University of Chicago, 2012

     시카고대학 미술사학과 박사, 2012

◆ Mellon Postdoctoral Fellow & Lecturer,

     Columbia University, 2012-2013

     컬럼비아 대학 멜론 박사후 과정 및 강사, 2012-2013

◆ Assistant Professor, Art History Department,

     Myongji University, 2013-Current

     현 명지대학교 인문대학 미술사학과 조교수

최선아(崔善娥)

SUN-AH CHOI

CONTACT

For any request, please contact

Office: +82-2-300-0611

             sachoi22@gmail.com

Fellowships
Profile
Contact

◆<석굴암과 동아시아 불교미술>, 서울대학교 박물관 수요강좌, 서울대학교 박물관 (2016, 3, 30)

◆<역사적 맥락에서 본 중국의 서상(瑞像)-돈황 막고굴 서상도를 중심으로>, 『돈황학대사전』 한국어판 출판기념 학술회의, 고려대 민족문화연구원 (2016, 6, 10)

PRESENTATIONS

◆<디테일의 미학: 고려 전기 대형 석불 재고>, 세밀함으로 읽는 한국미술, 삼성미술관 리움 (2015, 8, 20) 

◆“The Legacy of ‘True Visage’: The Manjusri Statues at Zhenrong yuan and Shuxiang si of Mount Wutai,” An International Conference on the Wutai Cult, Mount Wutai, Shanxi Province, China (2015, 8, 1) 

◆<동양과 서양의 종교미술>, 국립중앙박물관 인문학 콘서트, 국립중앙박물관 (2015, 5, 30)

◆<전환시대 한국 불교미술 연구의 현주소와 미래>, 전환시대 인문학 연구의 쟁점과 과제, 명지대학교 인문과학연구소 (2015, 5, 21)

◆<대리국범상도(大理國梵像圖)와 진신관음(眞身觀音): 상(像)을 통한 대리국(937-1254)의 역사세우기>, 제57회 전국역사학대회 미술사부, 한국미술사학회 (2014, 11, 3)

◆<眞容의 유산: 청 건륭제의 五臺山 옮기기>, 동양미술사학회 추계학술대회 (2014, 10, 18)

◆“The Legacy of "True Images": Qianlong Emperor's Replication of Mount Wutai,” Envisioning Art History in Asia (아시아에서의 미술사학연구), Seoul National University, (2014, 6, 13)

◆<돈황(敦煌) 막고굴(莫高窟) 제61굴과 오대산(五臺山) 문수신앙(文殊信仰)>, 돈황학센터 출범기념 학술회의, 고려대학교 민족문화연구원 (2014, 5, 30)

◆“Is Filial Piety not Enough? Rethinking the Patronage of Sokgul-am and Pulguk-sa in Kyongju, Korea,” Refiguring East Asian Religious Art: Buddhist Devotion and Funerary Practice, University of Chicago (2014, 5, 25) 

◆<우홍(Wu Hung)의 중국 불교미술 연구 I-<초기 중국 미술의 불교 요소들> (1986)>, 미술사와 문화유산 제6회 정기 학술대회, 명지대학교 문화유산연구소 (2013, 11, 14)

◆“Filial Piety and the Creation of Buddhist Monuments during the Unified Silla: Centering on Sokgul-am and Pulguk-sa in Kyongju, Korea,” Association for Asian Studies (AAS) 2014 Annual Conference (2014. 3. 28)

◆“The Legacy of “True Images”: Emperor Qianlong (r. 1736-1796)’s Trans-media Replication of Wutai shan,” Annual Conference of the Association for Asian Studies (AAS), San Diego, CA, March 21-24, 2013 

◆“Materialized Vision: The True Visage of Bodhisattva Manjusri at Mt. Wutai and Its Tenth-Century Translation in Dunhuang,” The Substance of Sacred Place: An Interdisciplinary Workshop on Locative Materiality, Kunsthistorisches Institut in Florenz (June 21, 2013, Florence, Italy) 

◆“Internationality? Rethinking Unified Silla Buddhist Art,” Symposium, Korea Imagined: Korean Visual Culture in Chicago, October 19, 2012, University of Chicago 

◆“From Myth to Orthodox Icon? The Medieval Chinese Reception of the Buddha Statue at the Mahabodhi Temple of Bodhgaya, India,” Graduate Student Symposium, Myths and Orthodoxies in East Asian Art and Art History, March 3, 2012, Princeton University 

◆“Materialized Vision: The True Visage of Bodhisattva Manjusri at Mt. Wutai and Its Tenth-Century Translation in Dunhuang,” Workshop on Visual and Material Perspectives on East Asia, University of Chicago, October, 2011 

◆“Reenacting Buddha’s Death and Creating a Relic Depository at the Qingshan Monastery in A.D. 741, China,” Joint Conference of the Association for Asian Studies (AAS) and the International Convention of Asia Scholars (ICAS), “70 Years of Asian Studies,” Honolulu, Hawaii, April, 2011 

Presentations

◆「동아시아 7-8세기 轉法輪印 阿彌陀佛坐像 연구—안압지 출토 금동삼존판불의 도상적 원류와 관련하여」, 『美術史學硏究』 2004, 12, pp. 33-63. 

“Seated Buddha Images with Dharmacakra-mudrā from the 7th–8th Centuries in East Asia-in Relation to the Origin of the Gilt-bronze Buddha Triad Plaque Excavated at Anap-ji, Gyeongju,” Korean Journal of Art History 2004, 12, pp. 33-63. 

◆「진용(眞容): 인도 보드가야 항마촉지인 불좌상에 대한 중국 당대(唐代) 불교도들의 인식과 수용」, 『미술사와 시각문화』 8, 2009, pp. 8-39.

“True Visage: The Medieval Chinese Reception of the Vajrasana Buddha Statue at Mahabodhi Temple in Bodh Gaya, India,” Art History and Visual Culture 8, 2009, pp. 8-39.  

◆「하나의 원류, 다양한 수용: 중국 당대(唐代) 보리서상(菩提瑞像)과 통일신라 석굴암 본존불」, 『미술사와 시각문화』 12, 2013, pp. 260-305.

“One Prime Object, Different Receptions: ‘The Auspicious Image of Bodhgaya’ in Tang China and the Buddha Statue at Seokguram in the Unified Silla,” Art History and Visual Culture 12, 2013, pp. 260-305.  

◆「우홍(Wu Hung)의 중국 불교미술 연구 1-<초기 중국 미술의 불교요소들> (1986)」, 『미술사와 문화유산』 2 (명지대학교 문화유산연구소), 2013, pp. 209-227. 

◆「돈황(敦煌) 막고굴(莫高窟) 제61굴과 오대산(五臺山) 문수진용(文殊眞容)」, 『민족문화연구』 64호, 2014, 8, pp. 135-175. 

“Cave 61 at Mogao Grotto in Dunhuang and the True Visage of Bodhisattva Manjusri at Mount Wutai in China,” Korean Culture Research 64, 2014, 8, pp. 135-175.  

◆「眞容의 遺産: 淸 乾隆帝의 五臺山 옮기기」, 『中國史硏究』 제94집, 2015, 2, pp. 145-187. 

“The Legacy of the ‘True Image’: Qing Emperor Qianlong’s Translation of Mount Wutai,” The Journal of Chinese Historical Researches vol. 94, 2015, 2, pp. 145-187. 

◆「한국 불교조각 연구의 현주소와 미래」, 『인문과학연구논총』 36(3) 명지대학교 인문과학연구소, 2015, 8, pp. 65-93.

“The State of the Field: History of Korean Buddhist Sculpture,” The Journal of Humanities 36(3), 2015, 8, pp. 65-93.  

◆“Zhenrong to Ruixiang: The Medieval Chinese Reception of the Mahābodhi Buddha Statue,” Art Bulletin vol. 97, no. 4 (December, 2015), pp. 364-387. 

◆“Is Filial Piety Not Enough? Rethinking the Patronage of Sŏkkuram and Pulguksa in Kyŏngju, Korea,” in Wu Hung, Katherine Tsiang, and Paul Copp eds., Rethinking East Asian Religious Art: Buddhist Devotion and Ancestor Veneration, Chicago: Art Media Resources, forthcoming. 

PUBLICATIONS

Publications
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